@danslott are you some kind of wizard? here's the thing. I liked new ways to die. I liked Spider-Island, I liked 600, I liked ALL of those stories, until I found out that they were just a build up for SSM.(excluding new ways to die) I like arcs, I like large story lines, but when I found out that all of those stories were just to lead up to something else...
They weren't. They were their own stories. Did they have elements in them that lead to things down the line? Yes. That's called a subplot. That's like... in every Marvel Comic where a creator has a nice, long, healthy run. If those bug you, don't even dare try Claremont's X-MEN, Simonson's THOR, Bendis' ULTIMATE SPIDER-MAN, Hickman's FANTASTIC FOUR... or anything really. :-)
Sometimes stories can be BOTH. Self-contained adventures with puzzle pieces that build towards stories in the future.
At the start of BND, I had Mr. Negative take a vial of Spider-Man's blood. It gave him (the villain) a minor victory at the end of the story... and the promise of something sinister brewing for their next encounter.
Did that stop the opening arc of BND from also having a self-contained story? Nope.
And let me tell you, there were a LOT of BND writing summits where the other BND writers wanted that vial in their stories. And I'd tell them, "You can't have it. I have plans for it." :-) And with each meeting, people would get more aggressive about it, "But you haven't used it yet. And it would really work well in my story."
Eventually that vial got put into use during the MYSTERIOSO arc. And that spawned a one-shot story, OUT FOR BLOOD, where Spidey & the Black Cat not only stole the vial back, but replaced it with fake blood. And the next time Mr. Negative tried to use that blood against Spider-Man (in THE RETURN OF ANTI-VENOM), that got paid off again.
So... was there a long-seeded story element in there? Yep. From the first BRAND NEW DAY arc, to MYSTERIOSO, to OUT FOR BLOOD, to THE RETURN OF ANTI-VENOM. Was it a payoff for long term readers? You bet. For new readers, they were brought up to speed within the context of each storyline, so they could follow along as well. And did it payoff as a sad moment for Peter/Spider-Man? Absolutely not. It was actually a victorious moment for him-- as he got to set up Mr. Negative for the biggest sock-on-the-jaw in my run to date.
There's always stuff like that being seeded in this run. Sometimes it's great for the protagonist... sometimes it's tragic. But if it always went just ONE way for the main character, then that too would start becoming predictable.
One of the fun benefits of serialized fiction is that it CAN do long form storytelling. It's something I enjoy about the medium as a writer-- and, honestly, it's something I enjoy even more as a reader.
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